Skip to main content

TUMBBAD FILM REVIEW

#Tumbbad
 #Movie_review
 #artfilms 

 Whenever we talk about artistic film in India, there are very few films that can be considered. Now let's talk about #Tumbbad movie In this movie #Horror #Myth There are many issues like #Religion #Lust #Power #patriarchy #Caste #British #Culture. #tumbbad_village 

 Now let's talk about the main screenplay 👉 in which you see Vinayakarao in the lead role of the film. At the beginning of the film, Vinayakrao's mother is a widow. But in the lure of money and possessions she makes physical relationship with the king. There is a treasure hidden in the king's palace but it is impossible to get it because to get that treasure one has to satisfy the hunger of the monster and even in that you can die. Now one time the king dies and she leaves with her sons so that the direct blame does not fall on the her. One of the woman's sons also died and the other survived.(Vinayakarav.) Most of the shooting of the film has been shown in the nineteenth century which looks very wonderful as if you are going to the 19th century while watching the film. 

 Vinayakarav who is a #Brahmin himself is very greedy. He often goes to the village of Tumbad and brings a little treasure. And he also becomes rich but he also stays very drunk and he also squanders as much as he earns. He keeps a second wife after his first wife during this phase. And many Good and Bad events happend at the time. Vinayakarav has to satisfy his hunger every time he has to face a monster to take the treasure. And if someone is trapped near the monster. we have to speak। 😓😧😧😧 āĪļो āΜा āĪĻāĪđीं āĪĪो āĪđāĪļ्āĪĪāΰ āΆ āΆāĪāĪ—ा. You can end this movie as a tragedy. As in literature we see the example of #Tragic_Hero like #DrFaustus #oidipus that in life the rhythm goes towards #Lust #Thrist_For_knowledge #fall. This type of #Elements is also seen in this film. When you watch the movie, you can experience what is called #Art_Film. 

Let's talk about #Acting which seems very real. The main thing of this film is its #Cinemetography. India's official entry for the Oscars in 2019 was #Gully_boy but the concept of this film has been seen in many films in Hollywood. But when we send such films, it may be beneficial. This is what many #critics believe.

Comments

Post a Comment

Popular posts from this blog

IITE B.ED SEMESTER 1 STUDY MATERIAL

HERE YOU CAN FIND STUDY MATERIAL FOR B.ED COURSE  IITE B.ED SYLLABUS SEMESTER 1 MATERIAL (GUJRATI MEDIUM)  CLICK HERE 👇 Syllabus Translated by...@Divyesh Vara.... LS 1 : PSYCHOLOGY OF LEARNERS Thanks to @Dr.RanjanBen Parmar for as Resource Person Thanks to Dr. D.R Pandya sir for as Resource Person ES 1:PERSPECTIVE IN EDUCATION Thanks to @DR.Dinesh R Patel for as Resource Person FOR MORE GUIDENCE YOU CAN SEE HERE VIDEOS RELATED TO DIFFRENT TOPICS.(PERSPECTIVE IN EDUCATION)      THANKS TO .@DR.ISHITA BADIYANI FOR AS RESOURSE PERSON CLICK HERE 👇 DR.ISHITA BADIYANI   CUS 1: CURRICULUM DEVLOPMENT PRINCIPLES LPC 1 : GUJRATI LANGUAGE Thanks to @Dr.Dinesh R Patel for as Resource Person PS1 : GENERAL PEDAGOGY FOR MATHS AND SCIENCE   Thanks to @Vishwam_Pandya for as Resource Person S1: MICRO TEACHING SIMULATION SEMESTER 1 MATERIAL (ENGLISH MEDUIM) CLICK HERE 👇 LS1: PSYCHOLOGY OF LEARNERS ES 1: PERSPECTIVE IN EDUCATION CUS 1 : CURRICULUM DEVELOPMENT PRINC...

English Language Teaching-āŠ…ંāŠ—્āŠ°ેāŠœી āŠ­ાāŠ·ા

āŠ…ંāŠ—્āŠ°ેāŠœી āŠ­ાāŠ·ા  āŠķીāŠ–āŠĩāŠĩાāŠĻા āŠļાāŠŪાāŠĻ્āŠŊ āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊો: āŠļંāŠĶેāŠķાāŠĩ્āŠŊāŠĩāŠđાāŠ° āŠ•ૌāŠķāŠē્āŠŊāŠĻો āŠĩિāŠ•ાāŠļ āŠ•āŠ°āŠĩો: āŠŠ્āŠ°ાāŠĨāŠŪિāŠ• āŠ‰āŠĶ્āŠĶેāŠķોāŠŪાંāŠĻો āŠāŠ• āŠ āŠ›ે āŠ•ે āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“ āŠ…ંāŠ—્āŠ°ેāŠœીāŠŪાં āŠ…āŠļāŠ°āŠ•ાāŠ°āŠ• āŠ°ીāŠĪે āŠĩાāŠĪāŠšીāŠĪ āŠ•āŠ°ી āŠķāŠ•ે. āŠ†āŠŪાં āŠŽોāŠēāŠĩાāŠĻી, āŠļાંāŠ­āŠģāŠĩાāŠĻી, āŠĩાંāŠšāŠĩાāŠĻી āŠ…āŠĻે āŠēāŠ–āŠĩાāŠĻી āŠ•ુāŠķāŠģāŠĪા āŠĩāŠ§ાāŠ°āŠĩાāŠĻો āŠļāŠŪાāŠĩેāŠķ āŠĨાāŠŊ āŠ›ે. āŠĩિāŠĩેāŠšāŠĻાāŠĪ્āŠŪāŠ• āŠĩિāŠšાāŠ°āŠļāŠ°āŠĢીāŠĻે āŠŠ્āŠ°ોāŠĪ્āŠļાāŠđāŠĻ āŠ†āŠŠāŠĩું: āŠ…ંāŠ—્āŠ°ેāŠœી āŠķીāŠ–āŠĩāŠĩાāŠĨી āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“āŠĻે āŠŠાāŠ ોāŠĻું āŠŠૃāŠĨ્āŠĨāŠ•āŠ°āŠĢ āŠ•āŠ°ીāŠĻે, āŠĶāŠēીāŠēોāŠĻું āŠĻિāŠ°્āŠŪાāŠĢ āŠ•āŠ°ીāŠĻે āŠ…āŠĻે āŠĩિāŠšાāŠ°ોāŠĻે āŠĪાāŠ°્āŠ•િāŠ• āŠ°ીāŠĪે āŠĩ્āŠŊāŠ•્āŠĪ āŠ•āŠ°ીāŠĻે āŠĩિāŠĩેāŠšāŠĻાāŠĪ્āŠŪāŠ• āŠ°ીāŠĪે āŠĩિāŠšાāŠ°āŠĩા āŠŠ્āŠ°ોāŠĪ્āŠļાāŠđિāŠĪ āŠ•āŠ°ે āŠ›ે. āŠĩ્āŠŊાāŠ•āŠ°āŠĢ āŠ…āŠĻે āŠŪાāŠģāŠ–ાāŠ•ીāŠŊ āŠœ્āŠžાāŠĻāŠŪાં āŠļુāŠ§ાāŠ°ો āŠ•āŠ°āŠĩો: āŠŽીāŠœો āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊ āŠ āŠ›ે āŠ•ે āŠķીāŠ–āŠĻાāŠ°ાāŠ“āŠĻે āŠ…ંāŠ—્āŠ°ેāŠœી āŠĩ્āŠŊાāŠ•āŠ°āŠĢ, āŠĩાāŠ•્āŠŊāŠĻી āŠ°āŠšāŠĻા āŠ…āŠĻે āŠķāŠŽ્āŠĶāŠ­ંāŠĄોāŠģāŠĻી āŠĻāŠ•્āŠ•āŠ° āŠļāŠŪāŠœ āŠŠૂāŠ°ી āŠŠાāŠĄāŠĩી āŠœેāŠĨી āŠēેāŠ–િāŠĪ āŠ…āŠĻે āŠŽોāŠēાāŠĪી āŠŽંāŠĻે āŠŠ્āŠ°ાāŠĩીāŠĢ્āŠŊāŠŪાં āŠĩāŠ§ાāŠ°ો āŠĨાāŠŊ. āŠļાંāŠļ્āŠ•ૃāŠĪિāŠ• āŠœાāŠ—ૃāŠĪિ: āŠ…ંāŠ—્āŠ°ેāŠœી āŠķીāŠ–āŠĩાāŠĨી āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“āŠĻે āŠĩિāŠĩિāŠ§ āŠļંāŠļ્āŠ•ૃāŠĪિāŠ“ āŠ…āŠĻે āŠŠāŠ°િāŠŠ્āŠ°ેāŠ•્āŠ·્āŠŊોāŠĻી āŠœાāŠĢ āŠĨાāŠŊ āŠ›ે, āŠĪેāŠŪāŠĻી āŠĩૈāŠķ્āŠĩિāŠ• āŠœાāŠ—āŠ°ૂāŠ•āŠĪા āŠĩિāŠļ્āŠĪૃāŠĪ āŠĨાāŠŊ āŠ›ે āŠ…āŠĻે āŠ†ંāŠĪāŠ°āŠļાંāŠļ્āŠ•ૃāŠĪિāŠ• āŠļāŠŪāŠœāŠĻે āŠŠ્āŠ°ોāŠĪ્āŠļાāŠđāŠĻ āŠŪāŠģે āŠ›ે. āŠļાāŠđિāŠĪ્āŠŊિāŠ• āŠŠ્āŠ°āŠķંāŠļા āŠĩāŠ§ાāŠ°āŠĩી: āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“āŠĻે āŠļાāŠđિāŠĪ્āŠŊāŠĻા āŠĩિāŠĩિāŠ§ āŠļ્āŠĩāŠ°ૂāŠŠો-āŠ•āŠĩિāŠĪા, āŠĻાāŠŸāŠ•, āŠļાāŠđિāŠĪ્āŠŊ-āŠļાāŠđિāŠĪ્āŠŊāŠĻી āŠ•ૃāŠĪિāŠ“, āŠĨીāŠŪ્āŠļ āŠ…āŠĻે āŠķૈāŠēીāŠ“ āŠŪાāŠŸે āŠŠંāŠĄી āŠŠ્āŠ°āŠķંāŠļા āŠĩāŠ§ાāŠ°āŠĩાāŠŪાં āŠŪāŠĶāŠĶ āŠ•āŠ°ે āŠ›ે. āŠ‰āŠš્āŠš āŠķિāŠ•્āŠ·āŠĢ āŠ…āŠĻે āŠ•ા...

āŠļંāŠļ્āŠ•ૃāŠĪ āŠķીāŠ–āŠĩāŠĩાāŠĻા āŠļાāŠŪાāŠĻ્āŠŊ āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊો

 āŠļંāŠļ્āŠ•ૃāŠĪ āŠķીāŠ–āŠĩāŠĩાāŠĻા āŠļાāŠŪાāŠĻ્āŠŊ āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊો āŠķાāŠģા āŠ•āŠ•્āŠ·ાāŠ āŠļંāŠļ્āŠ•ૃāŠĪ āŠ­āŠĢાāŠĩāŠĩાāŠĻો āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊ āŠ…āŠĻેāŠ• āŠĩ્āŠŊાāŠŠāŠ• āŠķૈāŠ•્āŠ·āŠĢિāŠ• āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊોāŠĻે āŠŠૂāŠ°ો āŠ•āŠ°āŠĩાāŠĻો āŠ›ે, āŠœે āŠļાંāŠļ્āŠ•ૃāŠĪિāŠ•, āŠŽૌāŠĶ્āŠ§િāŠ•, āŠ­ાāŠ·ાāŠ•ીāŠŊ āŠ…āŠĻે āŠĻૈāŠĪિāŠ• āŠĩિāŠ•ાāŠļ āŠļાāŠĨે āŠļુāŠļંāŠ—āŠĪ āŠ›ે. āŠŽેāŠšāŠēāŠ° āŠ‘āŠŦ āŠāŠœ્āŠŊુāŠ•ેāŠķāŠĻ (B.Ed) āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“ āŠŪાāŠŸે, āŠ† āŠđેāŠĪુāŠ“āŠĻે āŠļāŠŪāŠœāŠĩાāŠĨી āŠ…āŠ­્āŠŊાāŠļāŠ•્āŠ°āŠŪāŠŪાં āŠļંāŠļ્āŠ•ૃāŠĪāŠĻી āŠ­ૂāŠŪિāŠ•ાāŠĻી āŠŠ્āŠ°āŠķંāŠļા āŠ•āŠ°āŠĩાāŠŪાં āŠŪāŠĶāŠĶ āŠŪāŠģે āŠ›ે. āŠ…āŠđીં āŠ•ેāŠŸāŠēાāŠ• āŠŪુāŠ–્āŠŊ āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊો āŠ›ે: āŠļાંāŠļ્āŠ•ૃāŠĪિāŠ• āŠļંāŠĩāŠ°્āŠ§āŠĻ: āŠļંāŠļ્āŠ•ૃāŠĪ, āŠĩિāŠķ્āŠĩāŠĻી āŠļૌāŠĨી āŠœૂāŠĻી āŠ­ાāŠ·ાāŠ“āŠŪાંāŠĻી āŠāŠ• āŠ›ે āŠ…āŠĻે āŠ˜āŠĢી āŠ­ાāŠ°āŠĪીāŠŊ āŠ­ાāŠ·ાāŠ“āŠĻો āŠŠાāŠŊો āŠ›ે, āŠĪે āŠ–ૂāŠŽ āŠœ āŠļાંāŠļ્āŠ•ૃāŠĪિāŠ• āŠŪāŠđāŠĪ્āŠĩ āŠ§āŠ°ાāŠĩે āŠ›ે. āŠŠ્āŠ°ાāŠĨāŠŪિāŠ• āŠ‰āŠĶ્āŠĶેāŠķ્āŠŊો āŠŠૈāŠ•ીāŠĻો āŠāŠ• āŠ āŠ›ે āŠ•ે āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“āŠĻે āŠ­ાāŠ°āŠĪāŠĻા āŠļāŠŪૃāŠĶ્āŠ§ āŠĩાāŠ°āŠļાāŠĨી āŠŠāŠ°િāŠšિāŠĪ āŠ•āŠ°ાāŠĩāŠĩાāŠĻો āŠ›ે, āŠœેāŠŪાં āŠĪેāŠĻા āŠļાāŠđિāŠĪ્āŠŊ, āŠŦિāŠēāŠļૂāŠŦી, āŠ•āŠēા āŠ…āŠĻે āŠŠ્āŠ°ાāŠšીāŠĻ āŠ—્āŠ°ંāŠĨોāŠŪાં āŠļāŠŪાāŠĩિāŠ·્āŠŸ āŠĩૈāŠœ્āŠžાāŠĻિāŠ• āŠļિāŠĶ્āŠ§િāŠ“āŠĻો āŠļāŠŪાāŠĩેāŠķ āŠĨાāŠŊ āŠ›ે. āŠļંāŠļ્āŠ•ૃāŠĪ āŠķીāŠ–āŠĩāŠĩાāŠĨી āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“āŠĻે āŠĩેāŠĶ, āŠ‰āŠŠāŠĻિāŠ·āŠĶ, āŠ°ાāŠŪાāŠŊāŠĢ āŠ…āŠĻે āŠŪāŠđાāŠ­ાāŠ°āŠĪ āŠœેāŠĩા āŠŪāŠđાāŠ•ાāŠĩ્āŠŊો āŠœેāŠĩા āŠķાāŠļ્āŠĪ્āŠ°ીāŠŊ āŠ—્āŠ°ંāŠĨોāŠĻો āŠŠāŠ°િāŠšāŠŊ āŠĨાāŠŊ āŠ›ે, āŠœે āŠ­ાāŠ°āŠĪāŠĻી āŠļાંāŠļ્āŠ•ૃāŠĪિāŠ• āŠ“āŠģāŠ–āŠĻે āŠ†āŠ•ાāŠ° āŠ†āŠŠે āŠ›ે. āŠ­ાāŠ·ાāŠ•ીāŠŊ āŠļāŠ•્āŠ·āŠŪāŠĪા: āŠļંāŠļ્āŠ•ૃāŠĪāŠĻે āŠ­ાāŠ°āŠĪāŠŪાં 'āŠ­ાāŠ·ાāŠ“āŠĻી āŠŪાāŠĪા' āŠĪāŠ°ીāŠ•ે āŠ—āŠĢāŠĩાāŠŪાં āŠ†āŠĩે āŠ›ે, āŠœે āŠ˜āŠĢી āŠ†āŠ§ુāŠĻિāŠ• āŠ­ાāŠ°āŠĪીāŠŊ āŠ­ાāŠ·ાāŠ“āŠĻે āŠŠ્āŠ°āŠ­ાāŠĩિāŠĪ āŠ•āŠ°ે āŠ›ે. āŠļંāŠļ્āŠ•ૃāŠĪāŠĻો āŠ…āŠ­્āŠŊાāŠļ āŠ•āŠ°ીāŠĻે, āŠĩિāŠĶ્āŠŊાāŠ°્āŠĨીāŠ“ āŠĩિāŠĩિāŠ§ āŠ­ાāŠ·ાāŠ“āŠĻી āŠĩ્...